Once there's reason to exclude him from the social group, Othello quickly is diminished to the status of outsider among the Venetians. Are you sure you want to remove #bookConfirmation# Now, however, he has come to his "journey's end" (267). Emilia insists that Desdemona was faithful; Othello replies that Cassio had been with her, and Iago knew all about it. The slow pace of Desdemona's death stretches out its brutality and the terrible consequences of Othello's delusion. Lodovico takes charge, giving Othello's house and property to Gratiano, his next of kin by marriage. He cannot resist kissing his … Othello acknowledges the sentence, but before he is led away, he speaks his final lines. SCENE 2. He compares her to a rose which, once plucked, can bloom no more and must wither. Othello draws the bed curtains and lets Emilia in. Desdemona is sleeping on a bed. When she asks him to come to bed he refuses and instead asks her to pray,… Desdemona lies asleep in bed, and Othello enters, dreadfully calm and sure in what he must do. Her testimony would be strong evidence of Desdemona’s innocence, except that Othello dismisses it all as lies, because it does not accord with what he already believes. What do you think Iago’s true motivation is? Act 1, scene 2. Scene 2. bookmarked pages associated with this title. They're like having in-class notes for every discussion!”, “This is absolutely THE best teacher resource I have ever purchased. He is talking with Iago about the handkerchief still, and its significance in being found; but, soon, Iago whips Othello into an even greater fury through mere insinuation, and Othello takes the bait. Emilia informs Othello that Cassio has killed Roderigo. She pleads for her life, asking for banishment, asking for at least a day's stay in her execution, at least half a day, but she is overpowered by the Moor. Standing over Desdemona as she sleeps, he admires her beauty, kisses her, and is almost moved to let her live—noting that, like a flower, once plucked, she cannot be given "vital growth" (5.2.14) again. Knowing that she cannot convince him of her fidelity, Desdemona weeps and begs him to banish her rather than kill her, or let her live just a little more, but he stifles her, presumably with a pillow. Desdemona is asleep in her bed as Othello enters, carrying a candle. Desdemona lies asleep in bed, and Othello enters, dreadfully calm and sure in what he must do. She tells how she found the handkerchief, which her husband had asked her to steal, and gave it to him. Emilia is perceptive and cynical, maybe as a result of her relationship with Iago. She pays no attention to Iago's drawn sword as she tells how she found the handkerchief and gave it to Iago; she repeats her claim, even though Iago denounces her as a "villainous whore" (229) and a "liar" (231). When she wakes up, he asks her if she has prayed and if there are any sins she needs to confess. Othello realizes, too late, that he had been tricked and manipulated. Yet he will kill her; Desdemona must die, "else she'll betray more men" (6). Once more the young wife proclaims her innocence and insists that no one but herself is to blame. Iago kills Emilia because she did betray him—but she betrayed him for the greater good, and Iago's violence toward her is more graphic and terrible than the smothering of Desdemona, bringing home his full villainy. In this soliloquy or passage (Act 5, Scene 2, line 1-24), Othello is about to commit the murder of his beautiful wife, Desdemona on false prefixes. Scene 1. Summoning new courage, Emilia ignores her husband's command to be quiet and go home. Iago tries to control Emilia, commanding her as his wife to be silent. That these two things happen almost simultaneously heightens the play's tragedy. He doesn't want to kill an unprepared spirit. Iago arrives with Desdemona as planned earlier and they wait to receive Othello from the sea. "She turn'd to folly, and she was a whore" (132); "she was false as water . Iago says that Desdemona was indeed unfaithful with Cassio, but Emilia knows this is untrue. The military mission Othello leads comes to an anti-climactic conclusion when the storm sinks the Turkish fleet. It becomes apparent that although Iago seemed to be Then he stabs himself, falls onto the bed, and dies. Iago has Roderigo poised and ready to pounce on Cassio, and kill him; if either of them is killed, it is to Iago's benefit, although he would like to have both of them disposed of, so that his devices might not be discovered.Roderigo and Cassio fight, and both are injured; Othello hears the scuffle, is pleased, and then leaves to finish off Desdemona. Instant downloads of all 1386 LitChart PDFs It is at this moment that Emilia arrives outside the door, crying loudly for Othello. But she shows her independence and loyalty to both Desdemona and to the truth. Othello Detailed Summary Act 5 Scene II Othello goes into his room and asks Desdemona to be prepared for death while she requests him to let her live yet another day. No longer is he possessed with revenge for his grievously injured pride. The sight of Othello, slumped against Desdemona's bed, "poisons sight" (364). Othello can't analyze reality—he can't even differentiate between Emilia's and Desdemona's voices. Othello enters Desdemona's quarters, holding a candle. Othello is freshly aware that he has been ensnared body and soul by "that demi-devil" (301) Iago, who refuses to confess his villainy. This he mistakenly concludes to be additional evidence of her guilt. The monstrosity of what he has done overwhelms him. The duke and the senators discuss the movements of the Turkish fleet and conclude that its target is, indeed, Cyprus…. And there is devastating irony as he says, "Put out the light, and then put out the light" (7); Desdemona was once the "light" of his life and, also, light is often equated in Elizabethan dramas with reason, especially right reason, the aim of all men. As she dies, Emilia tells Othello that Desdemona loved him. In effect, he is defining himself as both an insider. He appears to be the most intelligent person in the play, Othello, by … He describes Desdemona's beauty and his own longing and anguish using traditional terms, which are beautiful but also underscore the traditional masculine values spurring him to kill the "loose" Desdemona. Next he … Lodovico then produces two letters found on Roderigo's body: one tells of the plan to slay Cassio, and the other is Roderigo's denunciation of Iago. Othello asks if Cassio has been killed as well, and Emilia informs him that Cassio is alive. Desdemona says that she is innocent, denies that anyone has killed her, and dies. Emilia, aware that she is near death, recalls Desdemona's prophetic "Willow Song," a bit of which she sings. Logically, she knows that she should have no cause for fear — she has done no wrong — yet she fears her husband. (including. He reminds himself that perhaps he was not wholly corrupt, but he dies knowing that his soul is lost. We should not overlook this simile; Othello compares himself to the "base Judean" who threw away the most valuable pearl in the world. . Detailed explanations, analysis, and citation info for every important quote on LitCharts. For a moment, his love for her almost persuades "justice" (meaning Othello) "to break [his] sword" (17). Desdemona wakes up and asks him sweetly to which he answers that at last, she must repent … The details of how Cassio obtained the handkerchief are revealed, and Othello bewails the fact that he has been a "fool! He is convinced that he is being merciful in performing a deed that must be done. Othello and Cassio demand to know why he did it, but Iago refuses to explain and says he will never speak again. At last, Othello assumes the posture of the tragic hero, grossly wrong in his determination, yet steeling himself to do what he must. Lodovico's sad words end the tragedy. In fact, he refuses even to let her live a bit longer so she can prove her innocence. Relentless in his self-reproach, Othello tacitly compares himself to "a malignant and a turban'd Turk" (353); then, finished, he stabs himself in an attempt to atone for all that has happened. However, Othello does not seek to profit from Desdemona's own attempt to "direct" a scene to his benefit. He dashes toward Iago, is disarmed by Montano, and in the confusion, Iago kills Emilia, then flees. This is further evidence of the tumultuous state of his mind but also that in denying having done any wrong, his strong conviction and belief that he … He must return to Venice and "with heavy heart" (371) relate "this heavy act" (371). She reaffirms the innocence of her mistress just before she dies and concludes: "She lov'd thee, cruel Moor" (249). There remains, however, a passionate conviction of righteousness in his words — despite his monumental error. The following is a summary of part two. This suggests that perhaps his love for her flickered briefly within his dark soul before he murdered her. His resolve of self-control breaks when Desdemona calls out for Cassio; he is convinced that he indeed heard Cassio laughing about a sexual liaison with Desdemona. liberal as the north (221) freely as the north wind blows. He ponders upon her beauty and kisses her. Starts in the middle of an argument between Roderigo and Iago Desdemona wakens and calls him to bed, but he tells her to pray at once, repenting anything she needs to repent, and he will wait while she prays because he does not want to kill her soul. Iago then meets … Act V: Scene 2. Analysis. The speed with which Othello is transformed from respected general to reviled outsider reveals the strength of prejudices more or less repressed by other characters throughout the majority of the play. CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. Here, however, Othello means to act righteously, but he fails to use his sense of logic or reason; he has condemned Desdemona without proof, without reason. Significant are lines 100-102, in which he says that there should be now "a huge eclipse / Of sun and moon" — that is, some evidence in the heavens that should acknowledge that the natural order of things has been grossly upset, that Desdemona is dead. Death is a relief he would not offer to his arch enemy. LitCharts Teacher Editions. Gratiano then speaks and tells us that he finds comfort in the fact that Desdemona's father is not alive to hear of this tragedy; already he is dead of grief because of Desdemona's marrying the Moor. . Emilia sees herself as a witness and will tell what she has seen, and Othello declares that he has killed Desdemona because of her infidelity. Othello is totally overcome … The scene begins with Othello holding a candle, which he uses to construct a metaphor for killing Desdemona: if he puts out a light, he can put it on again, but if he snuffs out her … In a seaport in Cyprus, Montano and few gentlemen are wondering about the strong wind which just blew through the sea and how it must’ve dispersed the Turkish fleet. Act 5 Scene 2 Othello: Othello proudly declares that he has killed his wife moments after denying having any knowledge of her death. In comparison to his frantic, epileptic state in the prior scenes, Othello now seems dignified. Again, Emilia calls out to Othello and, on entering, she shrieks about "foul murders" (106). The first is between Othello and Desdemona, in which Othello smothers and kills his wife. In a military situation, where facts and actions are crucial, Othello is dominant. Emilia Analysis . Death is too good for Iago, he says; "@'tis happiness to die" (290). She is the first to suggest that somebody is telling Othello untruths about Desdemona; “The Moor’s abused by some most villainous knave./Some base, notorious knave” (Act 4 Scene 2, Line 143-5). Iago warns Othello about Brabantio’s anger, but Othello is confident in his own strength and in his love for Desdemona…. and any corresponding bookmarks? The Moor then urges her to pray for forgiveness of any sin within her soul, and she becomes increasingly terrified. In Act IV, scene ii, Othello interrogates Emilia as if she were a witness to a crime. At first, Othello denies having any part in his wife's death. Othello, now comprehending everything, shows frank, deep remorse. Form and structure Act 5, Scene 2 is the climax of the play where it’s genre as a tragedy is particularly highlighted. At this moment, the motive of personal revenge surfaces again within him and replaces controlled justice. Iago stabs Emilia and runs out. The final moment of revelation is at hand. Synopsis of Act 5 Scene 2 Othello prepares to kill Desdemona, trying to convince himself that he is acting out of justice, not revenge. In the final moment of the play, Iago, who has directed action throughout, ends up as a spectator to his own misdeeds. He almost loses his resolve to kill her. What Emilia reports is not what Othello expected. Analysis. When Othello's words awaken Desdemona, she begins an agonizing attempt to reason with her husband. Previous to Act 5, scene 2, Iago had convinced Othello that Desdemona had made him a cuckold. We'll look at context, beats, unfamiliar words & more. The original text plus a side-by-side modern translation of. Cassio did top her" (134-136). Summary. . (271). When Montano, Gratiano, and the others enter, Emilia challenges her husband to disprove what Othello has told her. Desdemona is a "pattern of excelling nature" (11), yet she is also "cunning" (11). The news that Cassio has killed Roderigo is the first sign of Iago's plots unraveling. Repetition By: Giulia, Kathy, Jessica, and Sarina Literary Analysis Why do you think Roderigo had letters Act V, scene i: Cyprus. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Scene 2 consists only of a herald making an announcement that Othello is throwing a party in celebration of the victory over the Turks as well as his recent marriage. She says that Cassio has killed Roderigo. Then Desdemona's voice is heard from the bed, saying "falsely murdered" and Emilia calls for help. Othello lunges at Iago, wounds him, and is disarmed. "My students can't get enough of your charts and their results have gone through the roof." Our, LitCharts assigns a color and icon to each theme in. All this finally becomes unbearable for the Moor, and he falls upon his wife's bed, only to be mocked by Emilia for his anguish. He is a "cursed slave" (276) who deserves the worst of punishment. His soliloquy is quiet, and he seems to be more an agent of justice than the jealous cuckold. Lodovico vows to punish Iago and tells Othello that he must return with him to Venice. Act 5, Scenes 1–2 Summary and Analysis Last ... Last Updated on July 22, 2020, by eNotes Editorial. Iago witnesses their harmony and secretly thinks of the discord which he wants to put between them. fool! Iago is caught and brought back. Othello falls into a trance of rage, and Iago decides to hammer home his false ideas about his wife. Teachers and parents! … All Acts are listed on the Othello text page, or linked to from the bottom of this page.. ACT 5. Othello - Act 5, Scene 2 By Bec, Charlotte, Lucy, Caera and Paris Theme: Revenge Theme: Seeming vs. And it is notable throughout this harrowing episode that Othello's language is controlled and elevated. from your Reading List will also remove any Othello killed Desdemona because he thought she betrayed him. Emilia, who understands Iago far better than the gullible male characters have so far, demonstrates her loyalty to Desdemona by risking her own safety and defying the murderer of her former mistress, despite his obvious willingness to do violence. A herald reads a proclamation that Othello has called for a night of revelry to celebrate the annihilation of the Turkish fleet as well as his recent marriage. Act 1, scene 3. About “Othello Act 5 Scene 1” Iago prepares Roderigo to attack Cassio. Thus he will not shed Desdemona's blood (instead, he will smother her); nor will he scar her physical beauty; nor would he, as we learn later, kill her soul. From his words, we realize that he is convinced that he is being merciful, if cruel, and that he intends to be sure that his wife is dead. Being In this scene Iago shifts from his facade of the loyal and honest right hand man to reveal his true motivations of evil. It begins with Othello entering his chamber where Desdemona is in bed waiting for her husband. Othello reminds his listeners of his past service to the Venetian state and pleads that his story shall be reported accurately so that all will know him not as a barbarous foreigner but as one who "lov'd not wisely but too well" (334), as one who was preyed upon and became "perplex'd in the extreme" (346) and "threw a pearl away / Richer than all his tribe" (347-348). “Would not have made it through AP Literature without the printable PDFs. My students love how organized the handouts are and enjoy tracking the themes as a class.”, “Every teacher of literature should use these translations. Act 5, Scene 2 Summary. She says "my husband" over and over, while Othello pours out his heart on justice and how he loved her and how Iago is honest. Suddenly, Desdemona realizes that Othello intends to kill her. She also asks him the reason of her death. 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